A Kiss in the Dreamhouse

A Kiss in the Dreamhouse
Studio album by Siouxsie and the Banshees
Released 5 November 1982
Recorded 1982
Genre Post-punk
Length 37:45
Label Polydor (UK & Europe)
Geffen, Warner Bros. (USA)
Producer Siouxsie and the Banshees
Siouxsie and the Banshees chronology
Juju
(1981)
A Kiss in the Dreamhouse
(1982)
Hyæna
(1984)
Singles from A Kiss in the Dreamhouse
  1. "Slowdive"
    Released: 4 October 1982
  2. "Melt!"
    Released: 26 November 1982

A Kiss in the Dreamhouse is the fifth studio album by English post-punk band Siouxsie and the Banshees and was issued by Polydor Records in the UK in 1982. It was reissued, remastered, and expanded in 2009. Both a critical and commercial success, it peaked on the UK Albums Chart at number eleven.[1] The Banshees claimed it to be their personal best, until the release of Peepshow in 1988.[2]

Guitarist John McGeoch ceased to be a member of the band shortly after the release of the album.[3]

Contents

Reception

The UK music press was unanimous in its praise for the album on its release.

Richard Cook in NME wrote: "'A Kiss in the Dreamhouse' is a feat of imagination scarcely ever recorded. It's breathtaking. Somehow, a bold assurance of intention has met with a hunger for experimenting with sound to expand an already formidable group of songs into pure, open-minded ambiguity. The flesh of the song will balloon out or contort into unimaginable patterns; indecipherable echoes volley between the walls of the recording; glassy, splintered tones pierce the luxuriant sheen of the mix. Repeated listens trick the sense of balance; tremendous risks are taken." Cook then finished his review by this sentence: "I promise. This music will take your breath away."[4]

Steve Sutherland in Melody Maker also welcomed the new musical direction: "The Banshees achieve an awesome, effective new pop without so much as a theory or qualm. "Dreamhouse" is an intoxicating achievement."[5]

Critic David Cleary would later describe the single "Slowdive" as "a violin-colored dance beat number" with "a catchy melodic hook away from being the real thing". He wrote about the album that "this fine platter is well worth purchasing."[6]

In 2007, Mojo magazine named it one of the best albums of 1982.[7]

Legacy

Several bands later covered and sampled songs from this album. LCD Soundsystem made a version of "Slowdive" for the B-side of their single "Disco Infiltrator"; it was also included on their Introns compilation in 2006. The Beta Band sampled the Nocturne live version of "Painted Bird" on their track "Liquid Bird" from the Heroes to Zeros album.[8]

Music and history

The album belongs to what critics and fans refer to as the Banshees' experimental phase,[6] and contains chimes, strings, recorders, loops, and many vocal overdubs. The album was written, produced, and arranged by the band.

Track listing

All music composed by Siouxsie and the Banshees.

Original version
No. Title Lyrics Length
1. "Cascade"   Severin 4:25
2. "Green Fingers"   Sioux 3:33
3. "Obsession"   Sioux 3:51
4. "She's a Carnival"   Severin 3:39
5. "Circle"   Sioux 5:22
6. "Melt!"   Severin 3:47
7. "Painted Bird"   Sioux 4:15
8. "Cocoon"   Sioux 4:29
9. "Slowdive"   Sioux 4:24

Personnel

Production

References

  1. ^ Brian Johns (1989). Entranced : the Siouxsie and the Banshees story. Omnibus Press. ISBN 0-7119-1773-b.
  2. ^ Paul Mathur. "Born Again Savages". Melody Maker (9 July 1988). 
  3. ^ Mark Paytress (2003). Siouxsie & the Banshees: The Authorised Biography. Sanctuary. ISBN 1-86074-375-7. pp. 126–27
  4. ^ Richard Cook. NME (6 November 1982). 
  5. ^ Steve Sutherland. "Awakening Dreams". Melody Maker (6 November 1982). 
  6. ^ a b David Cleary. A Kiss in the Dreamhouse. allmusic. Retrieved 1 December 2011
  7. ^ "80 From The 80's". NME (August 2007). http://www.rocklistmusic.co.uk/mojo.html#Mojo%20–%2080%20From%20The%2080’s. Retrieved 5 November 2011. 
  8. ^ Scott Lapatine. "The Beta Band Interviews and Articles". Earlash (April 2004). http://www.betaband.com/press/interviews.php. Retrieved 5 November 2011. "EL: On previous albums you've used some left-field samples as a jumping off point to do something new and original. JM: Yeah, we've got Siouxsie and the Banshees on this record. It was Robin's idea."